https://titletbd.show TITLE TBD Mon, 19 Oct 2020 16:26:54 +0000 https://titletbd.show en https://titletbd.show/Home-nav-concept Sat, 25 Jul 2020 22:36:42 +0000 TITLE TBD https://titletbd.show/Home-nav-concept TITLE TBD is ⚙️️Admin, Adult Kindergarten, Thomas Barger, Lukaza Branfman-Verissimo, GenderFail, Jeff Kasper, Ariane Loze, Natalia Nakazawa, &amp; Emily Mae Smith Aug 20 — Oct 4, 2020 Cleveland Institute of Art&nbsp; Foreword Concept Gallery Calendar Playlist Credits https://titletbd.show/Director-s-Foreword-image-text Fri, 21 Aug 2020 01:00:42 +0000 TITLE TBD https://titletbd.show/Director-s-Foreword-image-text <img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/b92489269072f696410799cdb5a983acd1490d5521470cccd6912fbc797dda7e/TITLE-TBD-promo---LR--13.jpg" data-mid="80440890" border="0" alt="Caption" data-caption="Caption" src="https://freight.cargo.site/w/1000/i/b92489269072f696410799cdb5a983acd1490d5521470cccd6912fbc797dda7e/TITLE-TBD-promo---LR--13.jpg" />Jeff Kasper, things remembered [how long do I practice before I become?], 2018. Acrylic trophy, laser etched text. How long do I practice before I become? This question, etched into an acrylic trophy by artist Jeff Kasper, echoes the sentiments of many young artists as they embark on their career journeys. “Becoming” is messy business, a process that involves numerous failures, false starts and doubts, made all the more relevant as we look to reimagine the present and possible futures in a global pandemic, civil unrest, and looming presidential election. With so much at stake, what are some of the strategies, models and salves we can look towards to aid us in becoming? Like a guide to building your own life raft, I believe TITLE TBD offers such tools for artists to negotiate precarious times. Meghana Karnik (TITLE TBD Curator) and I first met in undergraduate school, while I was studying Painting at The Cleveland Institute of Art (CIA) and she was a student at Case Western Reserve University in Political Science and Art History. She registered at CIA so that she could take advanced courses in visual arts, presenting a BFA defense in Drawing in 2011. This arrangement is not a common one, made possible only through the efforts and advocacy of CIA faculty. Her further studies were guided by sociologists of culture. It's relevant here to trace the curator’s educational background, not to tout academic pedigree, but to bring greater context to Meghana’s curatorial practice and offer transparency on our relationship. Her sociological perspective, alongside her artistic practice, are a unique combination worth mentioning that helps us to understand her deep interest and concern for how artists function in society. &nbsp;I am grateful for Meghana’s time, continued care, and thoughtful process in developing this show during a time marked by uncertainty.&nbsp; I value our friendship and it is to me evidence of the vital importance of artist communities. These relationships are the kind of lifeblood that sustain lifelong practices. I would also like to extend my deepest gratitude to the artists who participated in this exhibition. It has been my privilege to work with you all and I am thrilled to share this work with our community. I thank everyone who helped produce this exhibition and supported this endeavor from the start. —Nikki Woods, Director, Reinberger Gallery https://titletbd.show/Concept-image-text-copy Fri, 21 Aug 2020 01:13:58 +0000 TITLE TBD https://titletbd.show/Concept-image-text-copy <img width="5785" height="3915" width_o="5785" height_o="3915" data-src="https://freight.cargo.site/t/original/i/f32f09f3ce22cf3f4b535433fa93e6ed247b2f6fcc060913d378ad77b784f53a/cycle_black_redo.png" data-mid="80441663" border="0" data-scale="60" src="https://freight.cargo.site/w/1000/i/f32f09f3ce22cf3f4b535433fa93e6ed247b2f6fcc060913d378ad77b784f53a/cycle_black_redo.png" /> Jeff Kasper, relational athletics: adaptation maintenance diagram, 2020.&nbsp; TITLE TBD is a multiform exhibition inviting you into the survival journeys of artists and arts workers navigating a precarious arts ecosystem. Two years ago, the project was conceived for The Cleveland Institute of Art as a ‘love letter’ to art students experiencing a sense of groundlessness upon graduation.* It was originally scheduled to open in March 2020, then postponed to a new timeline. The exhibition now opens while a pandemic, economic recession, and movements to heal and abolish systems bring a collective identity crisis to the fore. The placeholder† title recognizes a culture yet to be determined and the persistent, painful attempts of marginalized arts workers (Black, Indigenous, Queer, Trans, and non-Black People of Color) to course-correct in a deep culture of patriarchal and white supremacist values.&nbsp; TITLE TBD views the failure of cooperation between individuals and institutions as seeds for building autonomy, affirming community, and transforming culture.‡ Lukaza Branfman-Verissimo, Natalia Nakazawa, and Emily Mae Smith highlight resilience in the face of institutional and historical oppression. Thomas Barger and Ariane Loze offer personal narratives on ‘becoming,’ and Jeff Kasper’s tools for trauma-informed relationships reflect a desired paradigm shift. Finding personal liberation bound up in collective wellbeing,&nbsp;⚙️️Admin, Adult Kindergarten, and GenderFail prototype peer support mechanisms and deconstruct the success-failure binary. A series of virtual events and artist interviews will weigh building agency in the art world against reimagining participation entirely. These will be published online through October 4, 2020. Some artist projects in the gallery intended to activate touch as avenues of collaboration and study. In this hybrid reopening, these relational tools become artifacts of proximity and intimacy possible only a few months ago. The state of our interpersonal and structural relationships—and the relationship between love, labor, and lifelong creative practice—form the connective tissue of TITLE TBD, speaking to learners, educators, arts leadership, and others in the supply chains of culture.&nbsp;—Meghana Karnik, Curator *The initial concept of TITLE TBD is indebted to a pocket publication by Triple Candie, Letters to a Young Artist, which asks two dozen established artists to respond to a question from a recent art school graduate: “Is it possible to maintain one's integrity and freedom of thought and still participate in the art world?" †The placeholder remained permanent, thanks to Lo Smith’s insight. ‡These ideas are informed by&nbsp;transformative justice and community accountability—approaches that explore how to address violence without using police, prisons, or reproducing the behavior of these systems in our social and structural relations. Beyond Survival (2020, ed. Ejeris Dixon and Leah Lakshmi Piepzna-Samarasinha) Biography Meghana Karnik organizes culturally responsive and artist-centered projects across modalities as a curator, arts administrator, and artist. She is interested in discourses that connect art and social change. Most recently, she was Associate Curator of FRONT International 2022 (Cleveland, OH) and prior was Associate Director of EFA Project Space (New York, NY). She has curated exhibitions at Penthouse Art Residency (Brussels, Belgium), Foundation and Center for Contemporary Arts (Prague, Czech Republic), and Zygote Press (Cleveland, OH); and held arts management roles at Harlan Levey Projects (Brussels, Belgium), Critical Practices, Inc. (New York, NY), and SPACES (Cleveland, OH), among others. 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data-src="https://freight.cargo.site/t/original/i/62aec0859856eeb3fe9d1c27f068f68ae4dd8e30efc9dd63721aed0f00dec454/TITLE-TBD---LR--65.jpg" data-mid="82691570" border="0" src="https://freight.cargo.site/w/1000/i/62aec0859856eeb3fe9d1c27f068f68ae4dd8e30efc9dd63721aed0f00dec454/TITLE-TBD---LR--65.jpg" /> <img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/6e50fa6fc8eb0ab9f8d02423a8017a797aa0164f8c224eac6ed236fcc193fe23/TITLE-TBD---LR--61.jpg" data-mid="82685436" border="0" src="https://freight.cargo.site/w/1000/i/6e50fa6fc8eb0ab9f8d02423a8017a797aa0164f8c224eac6ed236fcc193fe23/TITLE-TBD---LR--61.jpg" /> https://titletbd.show/Gallery-exhibition-checklist Mon, 17 Aug 2020 04:13:29 +0000 TITLE TBD https://titletbd.show/Gallery-exhibition-checklist Visitor Policy Open to the public by appointment only on Wednesdays &amp; Fridays, 10-5 pm. Face covering and COVID-19 screening upon entry required. To make an appointment, please contact Nikki Woods, Gallery Director at (216) 421-7933 or nwoods@cia.edu.&nbsp; Exhibition Checklist Emily Mae Smith The Studio (Mound Land) Oil on linen 2020 28 x 24 inches Courtesy of Courtesy Sam Weissen, Brussels Jeff Kasper things remembered [how long do I practice before I become?] Acrylic trophy, laser etched text 2018 &nbsp; 2 x 2.5 x 6 inches; artist edition #1 Courtesy of the Artist wrestling embrace [index] PU composite fabric, polyester, EPE foam, vinyl, text &nbsp; 2018, 2020 8 x 10 feet Courtesy of the Artist relational athletics: scaling vulnerability [index] Text, painted wood pieces, vinyl 2020 Dimensions variable Courtesy of the Artist relational athletics: adaptation maintenance diagram Vinyl drawing, text 2020 Dimensions variable Courtesy of the Artist Lukaza Branfman-Verissimo Touch Video (performance documentation), 3 min 2020 Courtesy of the Artist GenderFail GenderFail Anthology on Failure 1 &amp; 2&nbsp;Books2018-2020Dimensions variableCourtesy of Be Oakley Natalia Nakazawa History has&nbsp;failed&nbsp;us...but no matterJacquard woven textiles, laser-cut Arches watercolor paper, leather, jewels, concentrated watercolor, photo transfers and acrylic on wood panels Triptych 40” x 30" each panel - 40 " x 90” together 2019 Courtesy of the Artist The “Loyalty Questionnaire” Vinyl print 1943 Courtesy of Densho, the Ikeda Family Collection GenderFail GenderFail Archive Project (reading room installation) Books, Risograph prints, custom screen-printed pillowcases 2018-2020 Dimensions variable Courtesy of Be Oakley Adult Kindergarten [FromTheDistance] Advertisement Wall vinyl 2020Courtesy of the Artists Jeff Kasper things remembered [I look fabulous but I’m in a lot of pain] Mirrored compact, etched text &nbsp; 2018 2 x .75 x 2 inches; artist edition #1 Courtesy of the Artist Thomas Barger I Never Had a Closet—Closet Paper pulp, wooden frame, cardboard, polyurethane, paint, thrift store fabric 2018 74 x 97 x 32 inches Courtesy of Salon 94 Design and the Artist Ariane Loze Archipelago of Me (L’archipel du moi) HD video 1920x1080x25P, son AAC, 32 min 53 seconds 2018 Courtesy of KANAL—Centre Pompidou, inv. FKS/C2018/001. Emily Mae Smith study for The Studio (Big Banana) Prepared ground and watercolor on linen 201438 x 27 inches Courtesy of the Artist Jeff Kasper things remembered [love is simple and simple things devour time] Wood clock, glass and metal face, etched metal plaque &nbsp; 2018 13 x 4 x 13 inches; artist edition #1 Courtesy of the Artist Lukaza Branfman-Verissimo #TakeCareOf Risograph print 11 x 17 inches, edition of 200 printed by Empress Editions 2020 (originally printed on US election night, 2016) Courtesy of the Artist Emily Mae Smith The Studio (Smoking Broom) Prepared ground, acrylic, oil on linen 2014 38 x 27 inches Courtesy of the Ginsberg Family Collection Thomas Barger&nbsp; Wall Drawing 2 Paper pulp, wooden frame, cardboard, and colored pencil 2017 33 x 26 x 11 inches Courtesy of Salon 94 Design and the artist https://titletbd.show/Calendar-events Fri, 21 Aug 2020 02:05:18 +0000 TITLE TBD https://titletbd.show/Calendar-events <img width="750" height="450" width_o="750" height_o="450" data-src="https://freight.cargo.site/t/original/i/9668d0c9f95e186b9be5a2f8a25105cc353fe9c1c44655bd88f336bdf2d50a0a/Artboard-6.jpg" data-mid="82388679" border="0" data-scale="48" data-draggable data-rotation="5" src="https://freight.cargo.site/w/750/i/9668d0c9f95e186b9be5a2f8a25105cc353fe9c1c44655bd88f336bdf2d50a0a/Artboard-6.jpg" />&nbsp; &nbsp;&nbsp;<img width="750" height="450" width_o="750" height_o="450" data-src="https://freight.cargo.site/t/original/i/48fd32583b2043d52df16cca7fe47c293ce1ca207e8e5d263f074c9f73eef121/SoundofLove.jpg" data-mid="82388680" border="0" data-scale="47" data-draggable data-rotation="15" src="https://freight.cargo.site/w/750/i/48fd32583b2043d52df16cca7fe47c293ce1ca207e8e5d263f074c9f73eef121/SoundofLove.jpg" />&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<img width="750" height="450" width_o="750" height_o="450" data-src="https://freight.cargo.site/t/original/i/efd8964c0c3f3af19a82074e639d95aa23d0414edea7646ac1e226f9a1b0c7a1/Valentine.jpg" data-mid="82388237" border="0" data-scale="48" data-draggable data-rotation="-7.5" src="https://freight.cargo.site/w/750/i/efd8964c0c3f3af19a82074e639d95aa23d0414edea7646ac1e226f9a1b0c7a1/Valentine.jpg" /> [From The Distance] Class with Adult Kindergarten This virtual course introduces Adult Kindergarten’s process of relearning and investigating adulthood. Follow on Instagram Live (@adult.kindergarten). Recordings with closed captions will be released here through October 4. August 24: Wondering about Everything August 31: Asking for Help September 7: Allowing Space for Curiosity and Intentionality about Involving Others in Your GrowthSeptember 14: Practicing that Skills and Information are Communal — Learning Always Involves Sharing and Empowering OthersSeptember 21: Centering the MarginsSeptember 28: Getting Up to Shit Image: Adult Kindergarten, Near and Far: Pieces of Love, 2020. Digital valentines. TITLE TBD x Ariane LozeReleased by mid October A video interview with Ariane Loze and Meghana Karnik. TITLE TBD x Natalia Nakazawa Released by mid October A video interview with Natalia Nakazawa and Meghana Karnik. <img width="1920" height="1005" width_o="1920" height_o="1005" data-src="https://freight.cargo.site/t/original/i/8ac0af8206f574d1c233f6a738c834dc68cb7fababe0861cb8c2da1ab9fd8897/Facebook-Event-Cover.jpg" data-mid="82380015" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/8ac0af8206f574d1c233f6a738c834dc68cb7fababe0861cb8c2da1ab9fd8897/Facebook-Event-Cover.jpg" /> METHODS TBD: Show Me Love September 18, 6:00 - 7:30 PM EST Zoom Webinar Link: https://us02web.zoom.us/j/88314204271Art institutions are facing renewed scrutiny on their commitments to dismantle systemic oppression in the back office, seen through a rising tide of employee and student resistance movements, open letters, and board member audits in 2020 alone. Numerous arts employers tout the “psychic benefits'' of culture and fail to offset the psychic costs of their institutions. Structured for self-preservation, institutions avoiding liability and disparagement miss their mark on loving artists, arts workers, and communities back. In waiting for change, some create para-institutional* spaces for culture—ad-hoc, peripheral, or alternative sites for peer support, knowledge sharing, and solidarity building that overlap museums, the art market, and higher education. This conversation examines these spaces—why they are generative for artists and communities, and how they model loving, equitable futures. Meghana Karnik (Curator, TITLE TBD) moderates a conversation with:La Tanya S. Autry, Gund Curator in Residence at moCa Cleveland and co-founder of #MuseumsAreNotNeutral. www.museumsarenotneutral.com Tizziana Baldenebro (she/her), Executive Director of SPACES and member of MOCAD Resistance. www.mocadresistance.com Nora N. Khan, a writer, culture producer, and a Director of Dark Study, an experimental program centered on art. darkstudy.netNatalia Nakazawa, an artist, educator, Assistant Director of EFA Studio Program, and a core member of ⚙️Admin, a collective that views arts administration as a tool for liberation.&nbsp; admin.network *From&nbsp;Dark Study’s mission: “Para-institutional spaces exist besides and beyond the institution, forming alternatives while overlapping. They are peripheral and ad-hoc, part, but not part. They move beyond logics of extraction, remove barriers to accessibility, while embracing new models of knowledge transmission.” The event is co-produced by The Cleveland Institute of Art and SPACES in conjunction with their current exhibitions, TITLE TBD (August 20 - October 4, 2020) and A Public Trust (August 21 - October 9, 2020), SPACES. Image: Jeff Kasper, wrestling embrace, 2018, game deck. A card depicts a selection of lyrics from the dance-pop song Show Me Love by Robin S. (1993) on a bright purple background. Link to song here. Relational Athletics: A workshop on Critique as Support&nbsp;with Jeff KasperSeptember 30, 6:00 - 7:30 pm This workshop for students features engaging guided activities in writing, role-play, deep listening, and visualization. Participants will explore parallel practices for the creative process grounded in cultures of trauma-sensitivity-crafted as resources for wellbeing and professional development. Topics include: skill building for self-advocacy and accountability, peer-to-peer support, critique, and navigating interpersonal conflict in arts collaborations. This workshop honors personal experiences in an empathic, confidential, and low-pressure format. You are welcome to sign up with a friend or classmate. Group dialogue and activities are encouraged but entirely optional. Participate in any way that works for you.&nbsp; This workshop is for Cleveland Institute of Art Visual Arts + Technologies students only. workbook is available for download Visitor Policy TITLE TBD is to the public by appointment only on Wednesdays &amp; Fridays, 10-5 pm. To make an appointment, please contact Nikki Woods, Gallery Director at (216) 421-7933 or nwoods@cia.edu. The Cleveland Institute of ArtReinberger Gallery11610 Euclid AvenueCleveland, OH 44106cia.edu/exhibitions https://titletbd.show/Playlist-videos Mon, 19 Oct 2020 16:26:54 +0000 TITLE TBD https://titletbd.show/Playlist-videos Public Programs Virtual Reception + Tour with Adult Kindergarten, Lukaza Branfman-Verissimo, GenderFail, Jeff Kasper, Natalia Nakazawa and Meghana Karnik Methods TBD: Show Me Love, a conversation on ‘para-institutional’ organizing with&nbsp;LaTanya S. Autry, moCa Fund Curator in Residence / Black Liberation Center,&nbsp;Tizziana Baldenebro,&nbsp;SPACES / MOCAD Resistance,&nbsp;Nora N. Khan, Dark Study,&nbsp;Natalia Nakazawa,&nbsp;⚙️️Admin / EFA Studio Program Adult Kindergarten [From The Distance] Class 1: Wondering about Everything (part 1) 1: Wondering about Everything (part 2) 2: Asking for Help 3: Affirmtions 4: A Love Letter to the Story of Myselves 5: Centering the Margins And Ourselves Artist Interviews Ariane Loze Interview Emily Mae Smith Interview: Avalon https://titletbd.show/Credits-list Fri, 21 Aug 2020 02:47:52 +0000 TITLE TBD https://titletbd.show/Credits-list Curator:&nbsp; Meghana Karnik Reinberger Gallery Exhibition Team:&nbsp; Nikki Woods, Director Kayli Salzano,&nbsp;Visiting Artist + Project Coordinator Paul Sydorenko, Lead Preparator Website Design &amp; Development:&nbsp;Yann Chashanovski Photography &amp; Videography:&nbsp;Yann ChashanovskiJacob Koestler Special Thanks:Richard Sarian, Hien Nguyen, Thomas Hamilton, Kathryn Heidemann,&nbsp;Grafton Nunes, Empress Editions, Perrotin New York, Salon 94,&nbsp;KANAL-Centre Pompidou https://titletbd.show/Admin-title Tue, 04 Aug 2020 00:32:28 +0000 TITLE TBD https://titletbd.show/Admin-title ⚙️Admin